Wild Arts makes magic happen. With a combination of youthful talent, a superb group of instrumentalists, a fine conductor and an imaginative director, the show is inventive, entertaining, and full of insight. I look forward to their Eugene Onegin next year … Colin Clarke, Seen & Heard International 2024
First Half 55 minutes
Second Half 55 minutes
Interval lengths vary by venue
English
With an exceptional company, Mozart’s wonderful music, played with verve by orchestra and singers, this Magic Flute is, well … magical! ★★★★★ Mark Aspen 2024
Luci Briginshaw as The Queen of the Night (Photos by Lucy J Toms)
James Hurley
Director
Orlando Jopling
Musical Director
Sophie Lincoln
Designer
Jeremy Sams
Librettist
Richard Dowling
Tamino
Gareth Brynmor John
Papageno
Natasha Page
Pamina
Luci Briginshaw
The Queen of the Night
Trevor Eliot Bowes
Sarastro (June)
Edward Hawkins
Sarastro (July-September)
Eleanor Oldfield*
First Lady
Martha Jones
Second Lady
Abbie Ward*
Third Lady
Ben Thapa
Monostatos
Eleanor Sanderson-Nash
Papagena (June-July 6)
Daniella Sicari
Papagena (from July 6)
Lachlan Craig*
First Armed Man / Priest
Henry Wright*
Second Armed Man / Priest
John Ieuan Jones
Papageno (15 June, 3, 6 August)
Violin I Sijie Chen
Violin II Will McGahon
Viola Christine Anderson
Cello Leo Popplewell
Double Bass Marianne Schofield
Oboe Hannah Condliffe
Clarinet Jernej Albreht
Bassett Horn Rowan Jones
French Horn Francisco Gomez Ruiz / Jon Farey
Bassoon Paul Boyes
Scene 1
An earnest young prince, Tamino, is pursued by terrifying figures. He faints in terror, and when he regains consciousness finds Papageno, a bird-catcher, by his side. A moment later, three (perhaps familiar?) ladies appear. They present him with a portrait of Pamina (the daughter of their mistress, The Queen of the Night) and tell him of her abduction by the evil Sarastro.
Tamino immediately falls in love, vowing to rescue his new beloved, and when The Queen of the Night arrives she promises her daughter to the young man if he can rescue her. For their quest, the ladies give Tamino a magic flute which has the power to turn sorrow to joy, and Papageno (sent along for the ride) receives a set of magic bells for protection.
Scene 2
In Sarastro’s temple, Monostatos is left alone with the captive Pamina. Papageno arrives (having lost Tamino), and startles Monostatos, who flees. He then announces to Pamina that her mother has sent Tamino to save her, and the two sing about the joys of love.
Scene 3
Meanwhile, Tamino too comes to Sarastro’s temple. A priest tells him that The Queen of the Night is not to be trusted – and that Tamino will understand all when he approaches the temple in the spirit of friendship.
Tamino hears Papageno in the distance, and hurries off to find him, but just as he leaves Papageno and Pamina appear. They are recaptured for a moment, before distracting Monostatos with the Magic Bells and running... straight into Sarastro. Though receiving them kindly, he refuses to return Pamina to her mother.
Monostatos returns with Tamino, and the prince sees Pamina for the first time, the two immediately embracing. Sarastro punishes Monostatos for his lust before announcing that Tamino must undergo trials of wisdom to become worthy as Pamina’s husband. Amid hymns of praise to Sarastro, Tamino and Papageno are blindfolded and led away.
Scene 1
Monostatos goes to kiss the sleeping Pamina, but hides as The Queen of the Night appears and instructs her ladies to find and free Tamino. The Queen wakes her daughter but is enraged by her wavering loyalty, threatening to disown her unless she kills Sarastro.
As she leaves, Sarastro arrives and drives Monostatos away. Pamina begs Sarastro to forgive her mother and he reassures her that revenge has no place in his temple.
Scene 2
Tamino and Papageno begin their trials - the first of which is to be silent. The ladies try to encourage Tamino and Papageno to escape with them, but Sarastro’s Priests intervene and the trial continues. While Papageno gives in, speaking to an Old Woman, Tamino holds true - even when his flute summons Pamina. His silence leads her to believe that he no longer loves her.
Sarastro arrives and instructs the lovers to bid one another a “final farewell.” Papageno is not eligible to continue the trials but the priests grant him one wish. Papageno asks for a glass of wine. The old lady returns, transforming into the beautiful young Papagena he could have had, but she is whisked away.
Scene 3
The ladies wonder if Enlightenment might not be such a bad thing after all, and when Pamina enters, distraught, they prevent her from doing anything rash, convincing her that Tamino truly loves her. Tamino enters and the two join together for his final trial, passing unscathed.
Papageno meanwhile, is desperate at having his lover snatched away from him. No one pays him any attention except the ladies, who remind him about his magic bells, and he uses them to summon Papagena to his side.
In one final attempt to conquer Sarastro, the Queen and Monostatos join forces to break into the temple, but they are foiled. Sarastro presents Tamino and Pamina as the new custodians of light.
Luci Briginshaw and Trevor Bowes (Photos by Lucy J Toms)
Friday 7 June
A return visit to this beautiful manor house in the Herefordshire countryside.
A steep bank makes a perfect natural amphitheatre with the side of the house as a backdrop. Fantastic sightlines and a perfect acoustic.
SOLD OUT
Sunday 16 June matinee
Stage and audience will be under cover, in the beautiful Rose Garden amphitheatre, an intimate space with grass embankments and perfect acoustics for live music.
Kelvedon Hall is close to London but surrounded by peace and quiet, with uninterrupted views in all directions. Henry 'Chips' Channon wrote his famous diaries here.
Arrive from 12pm to set up your picnics in the beautiful gardens.
The Essex Summer Opera Festival
Picnic in the beautiful grounds of Layer Marney Tower and enjoy the opera in the beautifully renovated Opera Barn.
Performances
7pm Tuesday 18 June
6pm Thursday 20 June
5pm Saturday 22 June
3pm Sunday 23 June (sold out)
Plus chamber music, a cabaret evening, concerts in the church, talks, primary school performances and performances by our Young Artists
£15 - £125
Thursday 4 July
A performance in the wonderful light-filled barn with fantastic acoustics, seating strictly limited to 150 people. Bring picnics and enjoy the formal gardens and parkland set in a beautiful peaceful valley in Gloucestershire. By kind invitation of the Mander family.
We hope to return to Owlpen Manor in 2025 with our Elixir of Love and our new production of Eugene Onegin.
Saturday 14 September, 5pm
Thursday 19 September
Saturday 21 September
Sunday 22 September
The Magic Flute poster image by Emily Perkins (Instagram: emp3_art)
Production photos by Lucy J Toms (Instagram: lucyjtomsphotography)
Wild Arts, charity no. 1158366
South Green Farmhouse, Fingringhoe, Colchester, CO5 7DP, United Kingdom
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