
Wild Arts presents Mahler's stunning reflection on death, time, and transience – with three performances in spring and a potential world premiere recording project in the autumn.
My heart is still and awaits its hour.
The beloved earth everywhere blossoms and greens in springtime, anew.
Everywhere and forever the distances brighten blue.
Forever… forever...
Thursday 19 February, 7pm
A private recital at 22 Manfield Street, London in support of recording the cycle in the autumn. Please get in touch if you are considering supporting the project and would like to come to this recital with Marta and Xavier.
Sunday 22 March, 7pm
The Wild Ensemble head to the beautiful St Peter ad Vincula Church as part of the Roman River Festival's Spring Concert Series.
Tuesday 31 March, 7pm
Following two sold-out Christmas performances of Messiah in 2024 and 2025, we make our Easter debut at Smith Square Hall.
Tickets £20-£40
Marta Fontanals-Simmons mezzo
Xavier Hetherington tenor
The Wild Arts Ensemble
Eleanor Corr leader
Orlando Jopling conductor
Composed at the end of Mahler’s life and set to Hans Bethge’s German translations of classical Chinese poems, Das Lied von der Erde sees the composer standing “face to face with nothingness”, recalling past joys and sorrows before turning softly towards death and life’s renewal.
In Farrington’s remarkable reorchestration, the vast emotional landscape of Mahler’s original is distilled into a more personal and direct musical experience. The transparency of the ensemble allows each instrument – and each musical line – to be heard with new vividness, revealing subtle colours and inner voices often hidden within the large orchestral score.
"Das Lied von der Erde seems to capture Mahler’s final breath – the struggles and reflections of a truly great composer at the end of his life."
Orlando Jopling
Following our performances this spring, in autumn 2026 the Wild Arts Ensemble are aiming to create the world premiere recording of Iain Farrington's brilliant orchestration – Wild Arts' first recording project.
Classical music cannot survive without the support of generous individuals, and, in an age of streaming where Spotify pays just 0.2p per play, recordings are an even greater financial challenge. We are looking for £20,000 of support to facilitate this exciting potential project for the company.
All donations over £10 will include a pre-order of the CD, due for release in Autumn 2027, and if our £20,000 target is not reached, donations will be ringfenced for the Wild Arts Ensemble's outreach projects – giving primary school children an interactive introduction to orchestral music.
Donations may be made via the link below, or by BACS (Reference: "Das Lied"):
Account name: Wild Arts
Sort code: 09-01-28
Account number: 75869192

Mezzo-Soprano
Marta Fontanals-Simmons is a British–Spanish mezzo-soprano acclaimed for her work in opera, concert, and recital.
Her current engagements include Linda in the world premiere of Mark-Anthony Turnage’s Festen, the title role in Gavin Higgins’ The Monstrous Child at the Linbury Theatre, and Siebel in Faust for the Royal Ballet a
Mezzo-Soprano
Marta Fontanals-Simmons is a British–Spanish mezzo-soprano acclaimed for her work in opera, concert, and recital.
Her current engagements include Linda in the world premiere of Mark-Anthony Turnage’s Festen, the title role in Gavin Higgins’ The Monstrous Child at the Linbury Theatre, and Siebel in Faust for the Royal Ballet and Opera.
She has appeared as Marta in Francisco Coll’s Enemigo del Pueblo in Valencia and Madrid, Erste Magd in Elektra at the Grand Théâtre de Genève, Zweite Dame in Die Zauberflöte at Glyndebourne, and Cherubino in Le Nozze di Figaro.
On the concert platform, highlights include Beethoven’s Ninth with Aurora Orchestra at the BBC Proms, Messiah with BBCNOW, and Sea Pictures with the Royal Philharmonic Orchestra. A dedicated recitalist, she has collaborated with leading pianists at major festivals and venues.
Marta trained at the Guildhall School, winning the Principal’s Prize and Gold Medal, and holds several international awards.

Tenor
Xavier Hetherington studied at the Royal College of Music, the Mascarade Opera Studio in Florence, and the Centre de Perfeccionament at the Palau de les Arts Reina Sofia in Valencia.
Recent engagements include the title role in Jonathan Dove’s Itch (Opera Holland Park), Prologue/Peter Quint The Turn of the Screw (Ustinov Studio), Bri
Tenor
Xavier Hetherington studied at the Royal College of Music, the Mascarade Opera Studio in Florence, and the Centre de Perfeccionament at the Palau de les Arts Reina Sofia in Valencia.
Recent engagements include the title role in Jonathan Dove’s Itch (Opera Holland Park), Prologue/Peter Quint The Turn of the Screw (Ustinov Studio), Brighella Ariadne auf Naxos(Netherlandse Reisopera) Don José Carmen (Waterperry Opera Festival), Dick Dauntless Ruddigore, Shepherd and coverOrpheus (Opera North),
Ahasuerus Esther (The English Consort and Solomon’s Knot, Wigmore Hall, Halle Händel Festspiele and Musikfestspiele Saar),
Mozart’s Requiem (Wurzburg Festival) and Lieutenant Kotler A Child in Striped Pyjamas (Echo Ensemble, world premiere).

Musical Director
Orlando Jopling's conducting work ranges from positions at the Royal Opera House, Royal Ballet, and English National Ballet, to concerts and recordings with the Royal Philharmonic Orchestra, English Chamber Orchestra, London Mozart Players, and the Wild Arts Ensemble among many others.
Before starting Wild Arts, he co-foun
Musical Director
Orlando Jopling's conducting work ranges from positions at the Royal Opera House, Royal Ballet, and English National Ballet, to concerts and recordings with the Royal Philharmonic Orchestra, English Chamber Orchestra, London Mozart Players, and the Wild Arts Ensemble among many others.
Before starting Wild Arts, he co-founded Tête à Tête and Stanley Hall Opera, and conducted almost 50 opera productions with various companies.

Leader
Eleanor Corr was winner of the Royal Overseas League Competition 2020 and in 2022 was awarded Associate of the Royal Academy of Music, “awarded to alumni of the Academy who have distinguished themselves in the profession and made a significant contribution in their particular field”.
Much in demand as a concertmaster, Eleanor has rec
Leader
Eleanor Corr was winner of the Royal Overseas League Competition 2020 and in 2022 was awarded Associate of the Royal Academy of Music, “awarded to alumni of the Academy who have distinguished themselves in the profession and made a significant contribution in their particular field”.
Much in demand as a concertmaster, Eleanor has recently guest led Scottish Chamber Orchestra, Ulster Orchestra, Trondheim Symfoniorkester, Stavanger Symfoniorkester, London Concertante, Paraorchestra, Orchestra Nova London, Norrlandsoperan, and Orkester Innlandet, and has guest co-led Royal Philharmonic Orchestra and Royal Philharmonic Chamber Orchestra.
She has led English Touring Opera for 3 years, including 4 months leading associate period instrument orchestra Old Street Band, is leader of Buxton International Festival Orchestra, is regular leader of Orpheus Sinfonia, where she has recently been named Principal Violin, and has been Orchestral Mentor for the Royal Academy of Music, tutoring the 1st violins and string principals.
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Uncredited images by Lucy J Toms.